The Discerning Mollusk's Guide to Arts & Ideas

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Jesse Lee Kercheval's I Want to Tell You

Charles Holdefer | Jun 2023

The Censored Heart: Magda Szabó's The Fawn

Cate Farr | Jun 2023

“I charge ahead with the verve of a cemetery”: Mohammed Khaïr-Eddine's Resurrection of Wild Flowers

Jesi Bender | Jun 2023

Babak Lakghomi's South

Andrew Farkas | Jun 2023

Youssef Rakha's Emissaries

Sarah Manvel | Jun 2023

Laurie Blauner's Come Closer

Greg Bem | Jun 2023

Reviews in Brief: Vian, Everett, Theroux

M. J. Nicholls | Mar 2023

Reviews in Brief: Maes, Angstman, Chasek

Charles Holdefer | Mar 2023

Kathleen Rooney's Where Are the Snows

Charles Holdefer | Mar 2023

VI Khi Nao's Suicide: A Meditation on Life

Jesi Buell | Mar 2023

Franca Mancinelli's The Butterfly Cemetery

Michael Collins | Mar 2023

Steve Toltz's Here Goes Nothing

M. J. Nicholls | Dec 2022

Ali Millar's The Last Days

M. J. Nicholls | Dec 2022

The Best Laid Plans of Rhinos and Men

Tyler C. Gore | Dec 2022

Louise Glück's Winter Recipes from the Collective

Kurt Luchs | Dec 2022

Debra Di Blasi's Birth of Eros

Jacob M. Appel | Dec 2022

Yeah, What the Hell Did Larry Rivers Do, Anyway?

Ed Hamilton | Sep 2022

"The Pen She Guides Doesn’t Translate"

Jesi Buell | Sep 2022

Today's Dreams are Tomorrow's News: On the Art of Murat Yıldız

Selin Tamtekin | Sep 2022

Four From Ukraine

M. J. Nicholls | Jun 2022