The Discerning Mollusk's Guide to Arts & Ideas

< Reviews >

Song of a Specific Time: Diane Josefowicz’s L’Air du Temps (1985)

Jesi Bender | Mar 2024

Danonymous Anonymous: Jared Joseph’s Danny the Ambulance

Andrew Farkas | Mar 2024

David Bingham’s Yellow Switch Palace

David Fitzgerald | Mar 2024

The Machine in the Ghost: Thomas Kendall’s How I Killed the Universal Man

Jesi Bender | Mar 2024

Fudge—A Treat, a Lie: Andrew Weatherhead’s Fudge

Jesi Bender | Mar 2024

A Thousand Little Pieces: Ian Penman’s Fassbinder

Daniel Fraser | Mar 2024

Curtis Smith's The Lost and the Blind

Charles Holdefer | Dec 2023

CJ Christine's F20 Grail 12

David Kuhnlein | Dec 2023

Alexander Theroux's Later Stories

M. J. Nicholls | Dec 2023

A COVID Collaboration: Sophie Klahr and Corey Zeller's There is Only One Ghost in the World

Jesi Bender | Dec 2023

Writing as Living Document / Writing as Memorial: Dan O'Brien's Survivor's Notebook

Jesi Bender | Dec 2023

Language as Form / Language as Music: Oisín Breen's Lilies on the Deathbed of Étaín and Other Poems

Jesi Bender | Dec 2023

Displacement, Abstraction and Recycled Materials: On the Art of Didem Erbaş

Selin Tamtekin | Sep 2023

Sara Baume's Seven Steeples

Charles Holdefer | Sep 2023

Jonathan Harrington's The Frozen Sea Within Us

Charles Holdefer | Sep 2023

Jen Michalski's The Company of Strangers

Charles Holdefer | Sep 2023

The Desert of Forbidden Love: On Dino Buzzati

Christopher Urban | Sep 2023

Charlene Elsby's Bedlam

David Fitzgerald | Sep 2023

Emplotting the Pugilist: Michael Winkler's Grimmish

Duncan Stuart | Sep 2023

Mary Lou Buschi's Paddock

Michael Collins | Sep 2023