Disquiet Drive accomplishes what few ‘experimental’ novels truly do—it challenges form and narrative authority and the reader. In other words, it’s original. This book is a scrapbook of a life, an I, which is split by circumstance. In the same vein of Eimear McBride’s A Girl is a Half-formed Thing, K. has created a polyphonic and at times hallucinatory meditation on language and how it is embodied.